The One pits several psychics together by participating in trials which challenge their abilities in psychic activities such as clairvoyance, telepathy and mediumship to determine who is Australia's top psychic.

The One - Netflix

Type: Reality

Languages: English

Status: Ended

Runtime: 60 minutes

Premier: 2008-07-08

The One - One Hundred and One Dalmatians - Netflix

One Hundred and One Dalmatians, often abbreviated as 101 Dalmatians, is a 1961 American animated adventure film produced by Walt Disney and based on the 1956 novel The Hundred and One Dalmatians by Dodie Smith. The 17th Disney animated feature film, the film tells the story of a litter of Dalmatian puppies who are kidnapped by the villainous Cruella de Vil, who wants to use their fur to make into coats. Their parents, Pongo and Perdita, set out to save their children from Cruella, all the while rescuing 84 additional puppies that were bought in pet shops, bringing the total of Dalmatians to 101. Originally released to theaters on January 25, 1961, by Buena Vista Distribution, One Hundred and One Dalmatians was a box office success, pulling the studio out of the financial slump caused by Sleeping Beauty, a costlier production released two years prior. Aside from its box office revenue, its commercial success was due to the employment of inexpensive animation techniques—such as using xerography during the process of inking and painting traditional animation cels—that kept production costs down. It was remade into a live action film in 1996.

The One - Story development - Netflix

Dodie Smith wrote the book The Hundred and One Dalmatians in 1956. When Walt Disney read it in 1957, it immediately grabbed his attention, and he promptly acquired the rights. Smith had always secretly hoped that Disney would make it into a film. Disney assigned Bill Peet to write the story, which he did, marking the first time that the story for a Disney animated film was written by a single person. Writing in his autobiography, Peet was tasked by Disney to write a detailed screenplay first before storyboarding. Because Peet never learned to use a typewriter, he wrote the initial draft by hand on large yellow tablets. He condensed elements of the original book while enlarging others, some of which included eliminating Cruella's husband and cat, as well compressing the two surrogate mother dogs into one character, Perdita. He also retained a scene in which Pongo and Perdita exchange wedding vows in unison with their owners, by which the censor board warned that it might offend certain religious audiences if the animals repeated the exact words of a solemn religious ceremony. The scene was reworked to be less religious with Roger and Anita dressed in formal clothes. Two months later, Peet completed the manuscript and had it typed up. Walt said the script was “great stuff” and commissioned Peet to begin storyboarding. Additionally, Peet was charged with the recording of the voice-over process. Although Disney had not been as involved in the production of the animated films as frequently as in previous years, nevertheless, he was always present at story meetings. When Peet sent Dodie Smith some drawings of the characters, she wrote back saying that he had actually improved her story and that the designs looked better than the illustrations in the book.

The One - References - Netflix