Tattoo Girls is set against the backdrop of Ink Ink, a tattoo shop like no other - it is owned and operated by young entrepreneur Kelsey and employs an all-female lineup of tattoo artists. Based in Springfield, Missouri, Kelsey set out to make her shop feel different from the usual masculine, sometimes intimidating traditional ones. She employs her longtime friends Megan and Nikki who are also tattoo artists and Brittany who does all the piercings. The series will explore the friendships and working relationships between all of them as they navigate everyday life.
Runtime: 60 minutes
Tattoo Girls - The Girl with the Dragon Tattoo - Netflix
The Girl with the Dragon Tattoo (original title in Swedish: Män som hatar kvinnor; in English: Men Who Hate Women) is a psychological thriller novel by the late Swedish author and journalist Stieg Larsson (1954–2004), which was published posthumously in 2005 to become an international bestseller. It is the first book of the Millennium series.
Tattoo Girls - Reception and awards - Netflix
The novel was released to great acclaim in Sweden and later, on its publication in many other European countries. In the original language, it won Sweden's Glass Key Award in 2006 for best crime novel of the year. It also won the 2008 Boeke Prize, and in 2009 the Galaxy British Book Awards for Books Direct Crime Thriller of the Year, and the prestigious Anthony Award for Best First Novel. Larsson was awarded the ITV3 Crime Thriller Award for International Author of the Year in 2008. The Girl with the Dragon Tattoo received mixed reviews from American critics. It debuted at number four on The New York Times Best Seller list. Alex Berenson wrote in The New York Times, “The novel offers a thoroughly ugly view of human nature”; while it “opens with an intriguing mystery” and the “middle section of Girl is a treat, the rest of the novel doesn't quite measure up. The book's original Swedish title was Men Who Hate Women, a label that just about captures the subtlety of the novel's sexual politics.” The Los Angeles Times said “the book takes off, in the fourth chapter: From there, it becomes classic parlor crime fiction with many modern twists....The writing is not beautiful, clipped at times (though that could be the translation by Reg Keeland) and with a few too many falsely dramatic endings to sections or chapters. But it is a compelling, well-woven tale that succeeds in transporting the reader to rural Sweden for a good crime story.” Several months later, Matt Selman said the book “rings false with piles of easy super-victories and far-fetched one-in-a-million clue-findings.” Richard Alleva, in Commonweal, wrote that the novel is marred by “its inept backstory, banal characterizations, flavorless prose, surfeit of themes (Swedish Nazism, uncaring bureaucracy, corporate malfeasance, abuse of women, etc.), and—worst of all—author Larsson's penchant for always telling us exactly what we should be feeling.” On the other hand, Dr. Abdallah Daar, writing for Nature, said, “The events surrounding the great-niece's disappearance are meticulously and ingeniously pieced together, with plenty of scientific insight.” The Pittsburgh Post-Gazette wrote, “It's a big, intricately plotted, darkly humorous work, rich with ironies, quirky but believable characters and a literary playfulness that only a master of the genre and its history could bring off.” As of 3 June 2011, The Girl with the Dragon Tattoo had sold over 3.4 million copies in hardcover or ebook formats, and 15 million copies altogether, in the United States.
Tattoo Girls - References - Netflix