The Korean-Chinese-Japanese collaborative drama series Strangers 6 is about a group of six experts from the police forces of Korea, China, and Japan who are secretly gathered to protect the countries' economic futures. "Strangers 6″ is set in the near future and centers around the fictional Chinese city of ‘Haiwan', a huge economical hub without any national boundaries for companies from South Korea, Japan, and China. However, the city is doomed to collapse under a gigantic earthquake predicted to hit the city within the next three months. There's a chance to prevent the disaster by installing a special device underneath the city, but this would require cutting-edge technology and an unimaginable sum of money from all three countries. Believing that this is the only way to protect their economy, the countries are quick to agree on this joint-operation and hasten t
Runtime: 55 minutes
Strangers 6 - The Strangers: Prey at Night - Netflix
The Strangers: Prey at Night is a 2018 American slasher film directed by Johannes Roberts and starring Christina Hendricks, Martin Henderson, Bailee Madison and Lewis Pullman. A sequel to the 2008 film The Strangers, it is written by Bryan Bertino (who wrote and directed the first film) and Ben Ketai. Mike and his wife Cindy take their son and daughter on a road trip that becomes their worst nightmare. The family members soon find themselves in a desperate fight for survival when they arrive at a secluded mobile home park that's mysteriously deserted -- until three masked psychopaths show up to satisfy their thirst for blood. The film was released in the United States on March 9, 2018, and grossed $29 million worldwide. It received mixed reviews, with some critics considering it more entertaining than the original and appreciating its satire of horror films, while others noted it as inferior and called it cliché.
Strangers 6 - Critical reception - Netflix
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 39% based on 86 reviews, and an average rating of 4.8/10. The website's critical consensus reads, “The Strangers: Prey at Night may appeal to fans of the original who've been jonesing for a sequel, but its thin story and ironic embrace of genre tropes add up to a bloody step back.” On Metacritic, which assigns normalized rating to reviews, the film has a weighted average score of 48 out of 100, based on 25 critics, indicating “mixed or average reviews”. Audiences polled by CinemaScore gave the film an average grade of “C” on an A+ to F scale, down from the “B–” given to the first film. Bloody Disgusting gave the film a positive review, saying, "The Strangers: Prey At Night really takes The Strangers to the next level, and serves as a perfect introduction to The Strangers for new horror fans. You can go back and watch The Strangers and be just as happy for their previous relentless onslaughts”. IGN also praised the film, writing that “Skillfully made, spooky, stylish, and featuring some quite good character work, The Strangers: Prey at Night stands much taller than the 2008 original. The central killers are plenty scary, and some of the images on display would make John Carpenter proud.” Writing for /Film, Candice Frederick gave the film a 7/10, writing that “Though its characters may fumble and its winks to the first film may not be as slick as I’d like them to be, Prey at Night does maintain the original commitment of presenting horror to the most mundane. It doesn’t just disrupt an innocent setting of a quiet suburb...It is that relentless seclusion, heightened by a haunting soundtrack of otherwise harmless songs.” Brian Douglas from The Hollywood Reporter praised the tone of the film, writing, “While the original Strangers was devoid of any sense of the 80s, instead opting for a kind of timeless modern quality, Roberts’ sequel boasts its stylistic debts, with everything from camera shots, and music choices culled from the 80s, forming an impressionistic collage of a time period that feels made for the big-screen.” Staci Wilson writing for Dread Central also praised the film, writing “Aside from the quick setup introducing the targets, The Strangers: Prey at Night really is a nonstop thrill ride. I know it’s a cliché, but sometimes you’ve just got to call it as you see it. I was breathless from start to finish. Kudos to Roberts on his best movie yet! He was wise to amp up the atmosphere with a kick-ass original score and flawless cinematography." Glenn Kenny of The New York Times gave the film a mixed review and compared sequences of the film to Lucio Fulci's Zombi and the slasher film The Mutilator, adding: “If you recognize those films, you might find yourself mildly diverted by this tawdry, occasionally effective shock-delivery device. Watching it with a demonstrative crowd in a Times Square theater proved to this former grindhouse devotee that sometimes you can go home again, at least momentarily. That said, the movie’s ludicrously drawn-out finale sapped the good will out of some of my fellow audience members.” Kimber Myers of the Los Angeles Times also gave the film a mixed review and wrote that “...although the film is as slim and poorly balanced as a cheap knife, The Strangers: Prey at Night is a stylish 1980s throwback that packs plenty of terror into its short running time. This isn't a horror movie that will take up residence in your nightmares for weeks, but the sequel to the solid 2008 original The Strangers is nonetheless just as effective in the short term as its well-made counterparts”. Owen Gleiberman, writing for Variety, described the film as “Friday the 13th with four victims and three Jasons... [it's] shameless in its bluntly misanthropic family-of-lambs-to-the-slaughter violence, its blithe depravity that’s more fetishized than felt. It doesn’t take much, though — as it didn’t in the ’80s — to create a one-weekend horror hit.” The Guardian's Benjamin Lee gave the film more of a negative review, rating the film 2/5 stars despite praising Hendricks' performance, noting: “...it’s just difficult to really invest in what happens to any of them. Before long, characters are all making stock horror movie decisions, and there’s no amount of effective craftsmanship that can sell stupidity. Audience members will be too busy sighing at the screen to be scared.”
Strangers 6 - References - Netflix