A pistol forged in hell brings sorrow to the lives of those who posses it.
Runtime: 60 minutes
Dead Man's Gun - The Man with the Golden Gun (film) - Netflix
The Man with the Golden Gun is a 1974 British spy film, the ninth in the James Bond series produced by Eon Productions, and the second to star Roger Moore as the fictional MI6 agent James Bond. A loose adaptation of Ian Fleming's novel of the same name, the film has Bond sent after the Solex Agitator, a device that can harness the power of the sun, while facing the assassin Francisco Scaramanga, the “Man with the Golden Gun”. The action culminates in a duel between them that settles the fate of the Solex. The Man with the Golden Gun was the fourth and final film in the series directed by Guy Hamilton. The script was written by Richard Maibaum and Tom Mankiewicz. The film was set in the face of the 1973 energy crisis, a dominant theme in the script. Britain had still not yet fully overcome the crisis when the film was released in December 1974. The film also reflects the then popular martial arts film craze, with several kung fu scenes and a predominantly Asian location, being set and shot in Thailand, Hong Kong, and Macau. Part of the film is also set in Beirut, Lebanon, but it was not shot there. The film was met with mixed reviews, and some critics described it as the lowest point in the canon up to that time. Christopher Lee's portrayal of Scaramanga as a villain of similar skill and ability to Bond was generally praised, but reviewers criticized the film as a whole, particularly its comedic approach and the performances of Moore and Britt Ekland. Although the film was profitable, it is the fourth lowest grossing film in the series. It was also the last film to be co-produced by Albert R. Broccoli and Harry Saltzman, with Saltzman selling his 50% stake in Danjaq, LLC, the parent company of Eon Productions, after the release of the film.
Dead Man's Gun - Contemporary reviews - Netflix
The Man with the Golden Gun met with mixed reviews upon its release. Derek Malcolm in The Guardian savaged the film, saying that “the script is the limpest of the lot and ... Roger Moore as 007 is the last man on earth to make it sound better than it is.” There was some praise from Malcolm, although it was muted, saying that “Christopher Lee ... makes a goodish villain and Britt Ekland a passable Mary Goodnight ... Up to scratch in production values ... the film is otherwise merely a potboiler. Maybe enough's enough.” Tom Milne, writing in The Observer, was even more caustic, writing that “This series, which has been scraping the bottom of the barrel for some time, is now through the bottom ... with depressing borrowings from Hong Kong kung fu movies, not to mention even more depressing echoes of the 'Carry On' smut.” He summed up the film by saying it was “sadly lacking in wit or imagination.” David Robinson, the film critic at The Times, dismissed the film and Moore's performance, saying that Moore was “substituting non-acting for Connery's throwaway”, while Britt Ekland was “his beautiful, idiot side-kick ... the least appealing of the Bond heroines.” Robinson was equally damning of the changes in the production crew, observing that Ken Adam, an “attraction of the early Bond films,” had been “replaced by decorators of competence but little of his flair.” The writers “get progressively more naive in their creation of a suburban dream of epicureanism and adventure.” Writing for The New York Times, Nora Sayre considered the film to suffer from “poverty of invention and excitement”, criticising the writing and Moore's performance and finding Villechaize and Lee as the only positive points for their “sinister vitality that cuts through the narrative dough.” The Sunday Mirror critic observed that The Man with the Golden Gun “isn't the best Bond ever” but found it “remarkable that Messrs. Saltzman and Broccoli can still produce such slick and inventive entertainment”. Arthur Thirkwell, writing in the Sunday Mirror's sister paper, the Daily Mirror concentrated more on lead actor Roger Moore than the film itself: “What Sean Connery used to achieve with a touch of sardonic sadism, Roger Moore conveys with roguish schoolboy charm and the odd, dry quip.” Thirkwell also said that Moore “manages to make even this reduced-voltage Bond a character with plenty of sparkle.” Judith Crist of New York Magazine gave a positive review, saying “the scenery's grand, the lines nice and the gadgetry entertaining”, also describing the production as a film that “capture[s] the free-wheeling, whooshing non-sense of early Fleming's fairy tale for grown-ups orientation”. Jay Cocks, writing in Time, focused on gadgets such as Scaramanga's flying car, as what is wrong with both The Man with the Golden Gun and the more recent films in the Bond series, calling them “Overtricky, uninspired, these exercises show the strain of stretching fantasy well past wit.” Cocks also criticised the actors, saying that Moore “lacks all Connery's strengths and has several deep deficiencies”, while Lee was “an unusually unimpressive villain”.
Dead Man's Gun - References - Netflix